One from the Archives – Projecting Migration: Transcultural Documentary Practice
Author: Aine O'Brien
Article by Jo Glanville in response to Zehra Dogan’s Li Dû Man installation and publication at Who Are We? Tate Exchange
One from the Archives: Young Curators, Digital Design & The Living Archive
Li Dû Man Installation with Zehra Doğan: A Counterpoints Arts’ Learning Lab Roundtable
The Art of Networking- Platforma Festival with Plymouth College of Art
Art, Cultural Democracy and the City
Landscapes of Hope and Displacement – CA and Firestation Artists Studios’ Dublin
2019 Summer School on Cultural Diversity and Collaborative Practice
RECOGNISE – RISK – REIMAGINE – REBUILD – REDISTRIBUTE: A Collaborative Commission
Artists who Risk and Artists at Risk
Cultural Democracy and New Models of Art Commissioning
Dead Reckoning: Learning Lab with Tate Exchange, Tate Modern
Learning Lab with Open University – ESRC Festival, MAC, Belfast
2018 Summer School on Cultural Diversity and the Artist in the Community
Art in the Age of Displacement: Is this a Movement?
Gresham Horse Project: Roundtable with artist, Isabel Lima
3 Projects: The Politics of People and Place
Juan delGado’s Living Room: Crossing Thresholds in Wakefield
The Art of Self-Organising, New Modes of Networking and Cross-Border Solidarities
Migrant Mothers and Daughters – Participation Arts and Social Action in Research
Learning Lab: Unlearning the Role of the Artist: Part 2
THE ART AND POLITICS OF SIMPLICITY: ‘REFUGEES WELCOME’ IN YORK
Learning Lab: The Politics of Hospitality and the Refuge City
LEARNING LAB: SUPPORT GROUP NETWORK-SGN & RE:ACT, VALAND ACADEMY, KULTUR I VÄST, OUTGRAIN, AND COUNTERPOINTS ARTS, LONDON
Learning Lab: Support Group network-SGN & Re:Act, Valand Academy, Kultur i Väst, Outgrain, and Counterpoints Arts, London
How To Do Rights With Things: Art and Politics
Unlearning the Role of the Artist with Eva Sajovic: Part 1
Brexit, Migration and Communities – A Creative Call to Action
One from the Archives: FOMACS Retrospective – The Story so Far
A Learning Lab Conversation with Ellen Schneider, Founder and Director, Active Voice Lab, San Francisco, CA
HORNIMAN MUSEUM: ONE OBJECT MANY STORIES
MIGRATION LAB: ART/HUMAN RIGHTS/REFUGEES
Making Human Rights across Borders
Screen Stories of Conflict, Migration and Place: 2 Workshops, 1Roundtable, 1 Feature Screening@ HOME, Manchester
Sampling as a Kind of Writing – An Interactive Lab with Kayo Chingonyi
Jasleen Kaur: ‘Objects tell stories historians probably never would.’ British Council’s ‘Voices’ speak to a bodging practitioner.
Everyday on Canalside: Learning Together
Migration Lab @ Design Museum: creating solutions by making, doing, sharing, and debating
Year 2 ‘Everyday on Canalside’: Co-Production and Making Together
‘Eastern Europeans for Dummies’: Immigrant audience development work of There There
Queens of Syria: ‘Why refugees need to tell their stories’- an interview with Yasmin Fedda
Economics, People and Place: policy versus participatory arts practice in the context of migration.
Syria on the Road: Stories of Conflict, Migration and Place – 2 Workshops, 1Screening @Plaforma Festival
Performing Migratory Identity: Performance Research on Displacement, Belonging and Auto/Bio and Participatory Biography
The Value in Making: Crafting, Memory, Migration and Storytelling
Interview with Saba Al Mobaslat, Country Director, Save the Children, Jordan
Simple Acts Think and Do Lab
Review: ‘Queens of Syria’ – Director, Yasmin Fedda
Practices of Place-Making: Memory, Migration and the Global City (Part 1)
Queens of Syria: Capturing the Healing Process of Interactive Theatre in the ‘Trojan Women’ Project
