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Learning Lab Editions

Author: Aine O'Brien

One from the Archives – Projecting Migration: Transcultural Documentary Practice

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Article by Jo Glanville in response to Zehra Dogan’s Li Dû Man installation and publication at Who Are We? Tate Exchange

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One from the Archives: Young Curators, Digital Design & The Living Archive

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Li Dû Man Installation with Zehra Doğan: A Counterpoints Arts’ Learning Lab Roundtable

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The Art of Networking- Platforma Festival with Plymouth College of Art

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Art, Cultural Democracy and the City

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Landscapes of Hope and Displacement – CA and Firestation Artists Studios’ Dublin

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2019 Summer School on Cultural Diversity and Collaborative Practice

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RECOGNISE – RISK – REIMAGINE – REBUILD – REDISTRIBUTE: A Collaborative Commission

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Artists who Risk and Artists at Risk

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Cultural Democracy and New Models of Art Commissioning

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Dead Reckoning: Learning Lab with Tate Exchange, Tate Modern

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Learning Lab with Open University – ESRC Festival, MAC, Belfast

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2018 Summer School on Cultural Diversity and the Artist in the Community

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Art in the Age of Displacement: Is this a Movement?

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Gresham Horse Project: Roundtable with artist, Isabel Lima

Gresham's Wooden Horse, sets off from mima to Gresham along Borough Road, artist Isabel Lima.

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Michelle Maddison Photography
michellemaddison@btopenworld.com
07798 724746

3 Projects: The Politics of People and Place

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Juan delGado’s Living Room: Crossing Thresholds in Wakefield

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The Art of Self-Organising, New Modes of Networking and Cross-Border Solidarities

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Migrant Mothers and Daughters – Participation Arts and Social Action in Research

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Learning Lab: Unlearning the Role of the Artist: Part 2

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THE ART AND POLITICS OF SIMPLICITY: ‘REFUGEES WELCOME’ IN YORK

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Learning Lab: The Politics of Hospitality and the Refuge City

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LEARNING LAB: SUPPORT GROUP NETWORK-SGN & RE:ACT, VALAND ACADEMY, KULTUR I VÄST, OUTGRAIN, AND COUNTERPOINTS ARTS, LONDON

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Learning Lab: Support Group network-SGN & Re:Act, Valand Academy, Kultur i Väst, Outgrain, and Counterpoints Arts, London

Featured photograph courtesy of SGN, Jose Farinha at the Restad Gård Asylum Centre, Sweden

How To Do Rights With Things: Art and Politics

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Unlearning the Role of the Artist with Eva Sajovic: Part 1

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Brexit, Migration and Communities – A Creative Call to Action

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One from the Archives: FOMACS Retrospective – The Story so Far

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A Learning Lab Conversation with Ellen Schneider, Founder and Director, Active Voice Lab, San Francisco, CA

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HORNIMAN MUSEUM: ONE OBJECT MANY STORIES

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MIGRATION LAB: ART/HUMAN RIGHTS/REFUGEES

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Making Human Rights across Borders

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Screen Stories of Conflict, Migration and Place: 2 Workshops, 1Roundtable, 1 Feature Screening@ HOME, Manchester

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Sampling as a Kind of Writing – An Interactive Lab with Kayo Chingonyi

Akala @ Rick Mix for Refugee Week produced by Counterpoints Arts, June 19, 2015. Photo © Marcia Chandra.

Jasleen Kaur: ‘Objects tell stories historians probably never would.’ British Council’s ‘Voices’ speak to a bodging practitioner.

'My dad's a proper business man who dresses ‘improperly’ and I wanted to reflect this in something as basic as a shoe.' Image © Jasleen Kaur

Everyday on Canalside: Learning Together

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Migration Lab @ Design Museum: creating solutions by making, doing, sharing, and debating

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Year 2 ‘Everyday on Canalside’: Co-Production and Making Together

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‘Eastern Europeans for Dummies’: Immigrant audience development work of There There

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Queens of Syria: ‘Why refugees need to tell their stories’- an interview with Yasmin Fedda

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Economics, People and Place: policy versus participatory arts practice in the context of migration.

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Syria on the Road: Stories of Conflict, Migration and Place – 2 Workshops, 1Screening @Plaforma Festival

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Performing Migratory Identity: Performance Research on Displacement, Belonging and Auto/Bio and Participatory Biography

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The Value in Making: Crafting, Memory, Migration and Storytelling

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Interview with Saba Al Mobaslat, Country Director, Save the Children, Jordan

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Simple Acts Think and Do Lab

Learning Lab: Simple Acts Think & Do

Review: ‘Queens of Syria’ – Director, Yasmin Fedda

Learning Lab Edition: Queens' of Syria

Practices of Place-Making: Memory, Migration and the Global City (Part 1)

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Queens of Syria: Capturing the Healing Process of Interactive Theatre in the ‘Trojan Women’ Project

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