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Learning Lab Editions

Labs

Li Dû Man Installation with Zehra Doğan: A Counterpoints Arts’ Learning Lab Roundtable

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The Art of Networking- Platforma Festival with Plymouth College of Art

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Art, Cultural Democracy and the City

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Landscapes of Hope and Displacement – CA and Firestation Artists Studios’ Dublin

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2019 Summer School on Cultural Diversity and Collaborative Practice

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RECOGNISE – RISK – REIMAGINE – REBUILD – REDISTRIBUTE: A Collaborative Commission

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Artists who Risk and Artists at Risk

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Cultural Democracy and New Models of Art Commissioning

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Dead Reckoning: Learning Lab with Tate Exchange, Tate Modern

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Learning Lab with Open University – ESRC Festival, MAC, Belfast

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2018 Summer School on Cultural Diversity and the Artist in the Community

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Art in the Age of Displacement: Is this a Movement?

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Gresham Horse Project: Roundtable with artist, Isabel Lima

Gresham's Wooden Horse, sets off from mima to Gresham along Borough Road, artist Isabel Lima.

24/9/17

Michelle Maddison Photography
michellemaddison@btopenworld.com
07798 724746

3 Projects: The Politics of People and Place

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Juan delGado’s Living Room: Crossing Thresholds in Wakefield

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The Art of Self-Organising, New Modes of Networking and Cross-Border Solidarities

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Migrant Mothers and Daughters – Participation Arts and Social Action in Research

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Learning Lab: Unlearning the Role of the Artist: Part 2

Learning Lab Photos- Slovenia

Learning Lab: The Politics of Hospitality and the Refuge City

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LEARNING LAB: SUPPORT GROUP NETWORK-SGN & RE:ACT, VALAND ACADEMY, KULTUR I VÄST, OUTGRAIN, AND COUNTERPOINTS ARTS, LONDON

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Learning Lab: Support Group network-SGN & Re:Act, Valand Academy, Kultur i Väst, Outgrain, and Counterpoints Arts, London

Featured photograph courtesy of SGN, Jose Farinha at the Restad Gård Asylum Centre, Sweden

How To Do Rights With Things: Art and Politics

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Unlearning the Role of the Artist with Eva Sajovic: Part 1

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Brexit, Migration and Communities – A Creative Call to Action

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A Learning Lab Conversation with Ellen Schneider, Founder and Director, Active Voice Lab, San Francisco, CA

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HORNIMAN MUSEUM: ONE OBJECT MANY STORIES

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MIGRATION LAB: ART/HUMAN RIGHTS/REFUGEES

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Making Human Rights across Borders

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Screen Stories of Conflict, Migration and Place: 2 Workshops, 1Roundtable, 1 Feature Screening@ HOME, Manchester

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Sampling as a Kind of Writing – An Interactive Lab with Kayo Chingonyi

Akala @ Rick Mix for Refugee Week produced by Counterpoints Arts, June 19, 2015. Photo © Marcia Chandra.

Everyday on Canalside: Learning Together

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Migration Lab @ Design Museum: creating solutions by making, doing, sharing, and debating

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Year 2 ‘Everyday on Canalside’: Co-Production and Making Together

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‘Eastern Europeans for Dummies’: Immigrant audience development work of There There

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Economics, People and Place: policy versus participatory arts practice in the context of migration.

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Syria on the Road: Stories of Conflict, Migration and Place – 2 Workshops, 1Screening @Plaforma Festival

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Performing Migratory Identity: Performance Research on Displacement, Belonging and Auto/Bio and Participatory Biography

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The Value in Making: Crafting, Memory, Migration and Storytelling

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Simple Acts Think and Do Lab

Learning Lab: Simple Acts Think & Do

Practices of Place-Making: Memory, Migration and the Global City (Part 1)

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Queens of Syria: Capturing the Healing Process of Interactive Theatre in the ‘Trojan Women’ Project

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Waiting (for Godot): Temporalities of Control and of Migration

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Ways of Working: Cartoons and Contraband – A Master Class with Benjamin Dix

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Detention: Participatory Arts and Photography in Nana Varveropoulou’s No-Man’s Land

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Practices of Place-Making: Memory, Migration and the Archive (Part 2)

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Creative Responsibility and Human Rights: Telling the Untold Stories of the Crisis in the Mediterranean

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Out of Place

Learning Lab: Out of Place

(Better) Believe it: Big Journeys, Untold Stories

Hamedullah The Road Home Learning Lab Workshop

Welcome to Dreamland

Learning Lab Welcome to Dreamland

‘Memory and Place’ and the Dynamics of Social Space

Learning Lab Edition: Describing Architecture

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Produced by Counterpoints Arts in collaboration with The British Council

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